![]() While this allowed for the inclusion of music in early arcade video games, it was usually monophonic, looped or used sparingly between stages or at the start of a new game, such as the Namco titles Pac-Man (1980) composed by Toshio Kai or Pole Position (1982) composed by Nobuyuki Ohnogi. ![]() History Early video game technology and computer chip music The popularity of video game music has created education and job opportunities, generated awards, and led video game soundtracks to be commercially sold and performed in concerts. Video game music can be one of two kinds: original or licensed. Game soundtracks can also change depending on a player's actions or situation, such as indicating missed actions in rhythm games, informing the player they are in a dangerous situation, or rewarding them for specific achievements. ![]() Players can hear music in video games over a game's title screen, menus, and gameplay. With technological advances, video game music has grown to include a wider range of sounds. These limitations have led to the style of music known as chiptune, which became the sound of the first video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. Video game music (or VGM) is the soundtrack that accompanies video games.
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